MacMurray felt safe about his acquiescence since Paramount, who had him under contract and had carefully crafted his good guy image, would never let him play a "wrong" role. In addition, Double Indemnity broke new cinematic ground on several fronts, one of those being the first time a Hollywood film explicitly explored the means, motives, and opportunity of committing a murder.
Somehow all the planets aligned for Ray, a novice director with an achingly poetic-realist vision of Depression-era Texas and the determination to implement it wholesale: Mann did some of his most celebrated work with cinematographer John Altona specialist in what James Naremore called "hypnotic moments of light-in-darkness".
They submitted a film treatment crafted by Wilder and his writing partner Charles Brackett and this time the Hays Office approved the project with only a few objections: By visiting various locations that figured into the film, he was able to bring a sense of realism about Los Angeles that seeped into the script.
Many creative participants in the earlier films were not being disingenuous when they claimed that they never knew they were making films noirs when they were making films noirs.
Will the horrendous border scum get to Susie before Mike? See Article History Film noir, French: Murnau Nosferatu; Sunrise Wilder and Seitz also blew aluminum particles into the air so that, as they floated down, they looked just like dust.
Donald Marshman, Life August 25,  Most film noirs of the classic period were similarly low- and modestly-budgeted features without major stars—B movies either literally or in spirit.
Cain based his novella on An overview of the film noir murder perpetrated by a married Queens, New York woman and her lover whose trial he attended while working as a journalist in New York. Its foundations had been laid in the early s, in films such as Stranger on the Third Floorwith its sinister look, nightmare sequence, and atmosphere of perverse and unstable masculinity, The Maltese Falconwith its themes of widespread evil and deviant as well as manipulative sexuality, and Citizen Kanewith its dark, expressionist look and fragmented narration.
Fifty years later, that border is still an open wound.
Double Indemnity Duplicitous duo During the classic era, his work, either as author or screenwriter, was the basis for seven films now widely regarded as film noirs, including three of the most famous: While City Streets and other pre-WWII crime melodramas such as Fury and You Only Live Onceboth directed by Fritz Lang, are categorized as full-fledged noir in Alain Silver and Elizabeth Ward's film noir encyclopedia, other critics tend to describe them as "proto-noir" or in similar terms.
Then a letter went out from Joseph Breen at the Hays Officeand the studios withdrew their bids at once. Walter desperately reaches over, turns the key and guns the motor, finally starting the car. And I did and I'm very grateful to him. In the opening scenes, as Walter Neff stumbles off the elevator on his way to his office to record his confession, the vast two-tiered office is empty and dark.
They are trapped in passionless or violent marriages and resort to murder as a means of escape, usually destroying their conspiring paramours in the process. To help guide him in writing a screenplay, Wilder gave Chandler a copy of his own screenplay for the Hold Back the Dawn to study.
The protagonists in film noir were normally driven by their past or by human weakness to repeat former mistakes. An explanatory scene was removed and replaced with one showing the leads flirting in a restaurant.
Pessimism and disillusionment became increasingly present in the American psyche during the Great Depression of the s and the world war that followed. Ladd was paired with popular wartime pinup star Lake as nightclub showgirl singer Ellen Graham, his hostage and unbeknownst to him working as a federal agent.
Knowingly, the Coens allow both the Dude and Walter to acknowledge the increasingly convoluted nature of their circumstances.
And the character of Barton Keyes was transformed from Walter Neff's fairly clueless co-worker into his mentor and eventual nemesis. Its narrative often relies heavily on flashbacks and choice of setting—usually a seedy, urban landscape, a world gone wrong. Robinson was also reluctant to sign on for the role of Barton Keyes, but not for the same reasons as MacMurray and Stanwyck.
In this production context, writers, directors, cinematographers, and other craftsmen were relatively free from typical big-picture constraints. Strictly speaking, film noir is not a genre, but rather the mood, style, point-of-view, or tone of a film. Pabst, and Robert Wiene, were noted for their stark camera angles and movements, chiaroscuro lighting and shadowy, high-contrast images - all elements of later film noir.
The noir hero The heroes of noir generally share certain qualities, such as moral ambiguitya fatalistic outlook, and alienation from society. This takes a similar approach to The Big Lebowski; it too follows a mismatched pair, one lazy and one bullish, who are well out of their depth in an increasingly complex case.
Where Chandler, like Hammett, centered most of his novels and stories on the character of the private eye, Cain featured less heroic protagonists and focused more on psychological exposition than on crime solving;  the Cain approach has come to be identified with a subset of the hardboiled genre dubbed " noir fiction ".What is noir?
Film Noir is one of Hollywood’s only organic artistic movements. Beginning in the early s, numerous screenplays inspired by hardboiled American crime fiction were brought to the screen, primarily by European émigré directors who shared a certain storytelling sensibility: highly stylized, overtly theatrical, with imagery often drawn from an earlier era of German “expressionist” cinema.
To this day the debate goes on as to whether “noir” is a film genre, circumscribed by its content, or a style of storytelling, identified by its visual attributes. The debate — in which there is no right answer — is only one of the things that keeps noir fresh for succeessive generations of movie lovers.
The key to this attempt is Jeter’s protagonist, McNihil, the information cop who is Jeter’s equivalent of the classic noir private eye.
Summaries. Private detective Sam Ruben's clever plan falls apart with the onset of amnesia. Everyone is trying to kill him and he doesn't know why.
Film noir indicates a darker perspective upon life than was standard in classical Hollywood films and concentrates upon human depravity, failure, and despair. The term also implies a cinematic style: a way of lighting, of positioning and moving the camera, of using retrospective voice-over narration.
Shane Black and Anthony Bagarozzi’s script uses a lot of film noir tropes; one of the most prominent of these is the complex, spiralling plot into which our heroes are drawn. But on top of this plot, the film focuses on the way the case develops the characters of March and Healy, and on the buddy humour dynamic between the two – a lot of levels for a script to have to work on.Download